Roy Ayers is ageless and evergreen and as per the title of another one of hits, remember "We All Live In Brooklyn Baby". No doubt this helped him win the Gilles Peterson 2004 Worldwide Lifetime Achievement Award.
Gilles Peterson described this as the equivalent of finding a lost Beatles album. 2004 saw the release of "Virgin Ubiquity: Unreleased Recordings 1976-1981" which were 'lost' sessions tapes that he had discarded. He has produced some of the most loved modern soul-jazz records of all time such as, "Everybody Loves The Sunshine", most influential afro-jazz with musician Fela Anikulapo-Kuti (Africa - Centre Of The World) and the most seminal jazz-funk, such as "Running Away". Constantly performing and recording since the 1960s, he is one of the most famous jazz vibraphonists. Thanks to his trombone playing father and piano teaching mother, he became immersed in music from day one and the story goes that he was given his first set of vibe mallets by his hero Lionel Hampton at the age of 5. He is most well known for his signature compositions "Everybody Loves The Sunshine" and "Searchin", and is also famous for having more sampled hits by rappers than any other artist. He is a key figure in the acid jazz movement, which is a mixture of jazz into hip-hop and funk, and has been dubbed by many as "The Godfather of Neo Soul". Ayers began his career as a post-bop jazz artist, releasing several albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped pioneer jazz-funk with his band Roy Ayers Ubiquity. was born in Los Angeles, CA on September, 10 1940.Roy Ayers (September 10, 1940) is an American funk, soul, and jazz composer and vibraphone player. He comes by his affinity with music naturally, as his mother Ruby Ayers was a schoolteacher and local piano instructor and his father Roy Sr., a sometimes-parking attendant and trombonist. As it often happens in a household filled with the love and the appreciation which for music, Roy began to demonstrate his musical aptitude by the tender age of five, by which time he was playing boogie woogie tunes on the piano. He turned to the steel guitar by the age of nice, had stints during his teens playing flute, trumpet and drums before embracing the vibes as his instrument of choice. Perhaps Roy’s karmic destiny as a vibraphonist was by his parents’ decision to allow him attend a concert featuring the great Lionel Hampton’s Big Band. So impressed was "Hamp" by the child’s ebullience he walked over and presented young Roy Ayers Jr.ĭuring “Hamps” customary stroll down the aisle to thank you his audience for attending, he noticed and ecstatic five-year-old boy. with the gift of a lifetime- a pair of vibe mallets. During Roy’s adolescence, although his parents required that his schoolwork remain his primary focus, his mother managed to fit in piano lessons, which served to enhance his public school education. In addition to Roy’s involvement with various instruments, he also sang in the church choir. Then, at seventeen years of age his parents presented him with a set of vibes and the rest, as they say, is history.
Roy began at first study independently, then eventually discovered that Bobby Hutcherson, a rising vibraphonist, lived in his neighborhood, and subsequently he began to work under Bobby’s tutelage. Their relationships as friends and musicians blossomed, with regular meetings between the two to collaborate and practice. During this period, Roy went on to form very first group of which he was the leader, while a student of Jefferson High school. Appropriately enough, he first named the group the Jefferson Combo, later re-naming the group to the Latin Lyrics.
#Roy ayers ubiquity everybody loves the sunshine download professional
Roy ayers ubiquity everybody loves the sunshine lyrics professional#Īfter graduation from Jefferson High, Roy attended Los Angeles City College where he studied advanced music theory.īy 1961 Roy had become a well-rounded, full-fledged professional musician, and as is customary in nuturing African-American households, at twenty-one the keys to the door. As the adage goes, if you are blessed, when one closes another one opens. Fortunately for Roy, he had just begun to receive his musical blessings, as early in his career, he collaborated and performed with likes of Chico Hamilton, Teddy Edwards, Jack Wilson, Phineas Newborn and Gerald Wilson. Shortly thereafter, Roy made his recording debut with Curtis Amy, a highly regarded saxophonist, with whom he recorded “Way Down” and “Tippin on Through”.Apple started Black History Month off right with a new Apple iPhone commercial. The video features a photogenic cast of black people, all professionally captured by black photographers.
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